Jack o' the Green (
jack_inthegreen) wrote2005-06-21 04:09 am
Good Solstice,
milliways_bar
In the gray pre-dawn light, the man in green has been busy.
There are rows of trestle tables set up by the lake--far from the new grave as well as anything else that might be disturbed by such things--and on the central table he sets up the horn of plenty he carved the day before. Now he lays a hand on the wood and quietly asks the elements around it to fill the horn and assemble themselves, so that there will be plenty to eat and it will all be nourishing and tasty. When he has done this the horn begins to fill and soon food is spilling out: fruit and bottles of wine and loaves of bread and slabs of cold cooked meats and wheels of cheese and whatever else a patron might think to ask for.
At the end of the rows of tables there is a wooden platform, with a small raised stage for musicians and plenty of room for dancers. Jack has found no one to play pipes but no matter, there are still musicians aplenty should anyone wish to dance. And he hopes they will, for what's a celebration without dancing?
Beyond the tables there is a small course set up for races, just a starting- and finish-lines marked off. There is a large rope for tug-of-war, various props like sacks for sack races and spoons for an egg-and-spoon race, and a pitch for bowls and another for playing horsehoes. He thought about playing tossing the caber but decided that might be pushing things a bit, even here.
Farthest from the bar proper is the bonfire, currently unlit. He pauses there and asks the fire within the wood to do no harm to anyone, that there will be no stray sparks or wayward ash to burn.
There is a great deal of magic at Milliways for him to draw upon and soon the party preparations meet with his satisfaction. He blesses the area before he goes back inside for some more rest before the party begins: that no one will be hurt in play or eat themselves sick, that not even a dancer's ankle be turned.
When he is done the morning fog is just beginning to burn off. It's going to be a beautiful day.
There are rows of trestle tables set up by the lake--far from the new grave as well as anything else that might be disturbed by such things--and on the central table he sets up the horn of plenty he carved the day before. Now he lays a hand on the wood and quietly asks the elements around it to fill the horn and assemble themselves, so that there will be plenty to eat and it will all be nourishing and tasty. When he has done this the horn begins to fill and soon food is spilling out: fruit and bottles of wine and loaves of bread and slabs of cold cooked meats and wheels of cheese and whatever else a patron might think to ask for.
At the end of the rows of tables there is a wooden platform, with a small raised stage for musicians and plenty of room for dancers. Jack has found no one to play pipes but no matter, there are still musicians aplenty should anyone wish to dance. And he hopes they will, for what's a celebration without dancing?
Beyond the tables there is a small course set up for races, just a starting- and finish-lines marked off. There is a large rope for tug-of-war, various props like sacks for sack races and spoons for an egg-and-spoon race, and a pitch for bowls and another for playing horsehoes. He thought about playing tossing the caber but decided that might be pushing things a bit, even here.
Farthest from the bar proper is the bonfire, currently unlit. He pauses there and asks the fire within the wood to do no harm to anyone, that there will be no stray sparks or wayward ash to burn.
There is a great deal of magic at Milliways for him to draw upon and soon the party preparations meet with his satisfaction. He blesses the area before he goes back inside for some more rest before the party begins: that no one will be hurt in play or eat themselves sick, that not even a dancer's ankle be turned.
When he is done the morning fog is just beginning to burn off. It's going to be a beautiful day.

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There are other flowers growing nearby. Jack's beloved bluebells. Daisies and silkflowers in yellow and blue and forget-me-nots and violets.
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Susan looks around at the other flowers with the smile still lingering-- for the little glade is growing well, say true. Her glance falls on the silkflowers, then, and she stares.
Delicate blue silkflowers-- ever her favorites on the Drop, and something she'd not seen since she died-- grow next to bright yellow ones, which she's never seen before.
(Mr. Arthur Heath says they have them in Gilead)
Susan kneels down beside them, and reaches out a trembling hand to touch the blossoms.
They're real, oh aye.
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Far more are left to grow than were taken, and her smile is bright and blinding, even as she blinks back tears.
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consider the lilies of the field . . .
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The Lion.
Susan Delgado's eyes widen abruptly, and she can do nothing but stare.
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Her voice is trembling a little, mayhap with wonder.
"--I don't-- I don't know how to greet ye, or to call ye, say true--"
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"Thee helped Caspian-- are ye from Narnia, then?"
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"But the forest is nice-- I ride there, betimes."
Somewhere inside, she's vaguely grateful for having had practice in speaking with the Seven-- but this is a Lion, and although mayhap he's not of her world, Susan Delgado kens well the stories of the Guardians who keep the Beams.
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There's something about the weight of the word that's -- more, somehow.
"Like-- like one of the Guardians, that we were taught about."
(the stories are true)
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He's very near to her, and although she's still awed and wondering, somehow she finds that she's not truly afraid-- and her smile is bright and shining.
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"We are well-met indeed."
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His breath is warm on the air, and his very presence is a comfort-- and she is not afraid any longer.
A moment more she hesitates, and then she dares, oh, she dares-- and she reaches up with both arms to hug him, breathing in the scent of
(home)
his mane, which somehow reminds her of joyful days spent on the Drop.
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